The idea of a new comic company and a new universe where I could get in on the ground floor was exciting, but, outside of getting the first 14 or so issues of “The Maxx” and almost completing “Badrock and Company,” I never did more than buy the occasional issue in those early years.
I saw McFarlane's distinctive character, Spawn, all over the place, in ads and Wizard magazine. I bought the Batman/Spawn special by Frank Miller because I'm a sucker for crossovers, even if I'm not all that interested in the stars. But I never actually read an issue of “Spawn.”
With the latest edition of the Super Blog Team-Up marking 2022 as Image's 30th anniversary, I figured it was about time to rectify that situation. So why not start at the beginning?
Writer/Artist: Todd McFarlane
Letterer: Tom Orzechowski
Colorist: Steve Oliff
Editor: Wanda Kolomyjec
Released: June 3, 1992
The issue opens with a view of Earth from space (or somewhere), as an unseen narrator (Spawn, I presume) cryptically and desperately laments his situation. As the scene shifts to a darkened cityscape, he says he wants to die. Again.
That's a memorable way to get the ball rolling.
The title character lurks atop a church, as lightning highlights his silhouette, wondering just why the heck he came back. Next, a trio of talking heads in 1987 discuss the death of decorated Marine Corps Lt. Col. Al Simmons from different angles. Details like his role in saving President Reagan from an assassination attempt and possible connection to the operations of Youngblood (the U.S. government-sponsored super team that starred in Image's very first series) establish the story's ties to the real world and the burgeoning Image universe.
Nine-panel grids from before they were cool establish snippets of Spawn's past, about which he remembers very few specifics. I presume at this point we're supposed to know he's Al Simmons, and not just because we've gotten bits and pieces of the story over the ensuing three decades. It also seems clear he's made a deal with some sort of devilish individual to get back to life (ish), even if you don't already know Spawn is short for Hellspawn.
A full page of his Spider/Venom-reminiscent mask gives way to a two-page vertical splash of the full character (who we've already seen on the cover, but it's still striking). Next, we meet a pair of detectives, one of whom is called Twitch, leaving me to assume the other is Sam. I primarily know them from reading about them in comics publications, and that sweet Sam Burke Overpower Ally card. They're investigating the brutal murder of a mob hitman, and I'm assuming (again) at this point that Spawn is responsible, or at least will be implicated.
All in all, a solid first issue. It doesn't tell me much about the character and his supporting cast, but it establishes them in an intriguing way and makes me curious to see how the story unfolds. Maybe a little slight, but I think the air was let out of some of the mystery tires because I had picked up so much information about the character secondhand through the years.
McFarlane's art is dynamic and distinctive, and Spawn is a great-looking character. Sure, I'm not a fan of casually tossing about Hell-themed content, but nothing in this specific issue bothered me all that much.
A good chunk of those wound up in a longbox a former co-worker of mine had left from a non-comic store where she'd worked. She brought them to the office one day to show me and some other comic-interested folks and let me snag one for its historical significance.
Since it clearly wasn't going to put either of my kids through college, I parlayed it into my contribution to this Super Blog Team-Up looking at Image after its first three decades. Check out the other posts below, including the Comic Stripped podcast in which Mark Radulich and I discuss “Term Life,” a movie I'd been wanting to see despite having no idea it was based on a comic until being invited to do the show.